The grown-ups like Car Talk do it in post production at WBUR, Boston a day ahead and the "really" live shows like Dr Laura do it through a large, multiple channel mixing desk and switching system in Sherman Oaks, CA. And there's a really good chance the software wouldn't work cross platform. So now every time I record a new track I have to manually change it from 44100Hz to 48000Hz. That's not to say it couldn't be done, but you would run into all the problems that Audacity has (How come my ION turntable has an echo) but much worse. Out of nowhere, Audacity has started recording new tracks at a 44100Hz rate instead of 48000Hz. Who gets to hear the opening music, for example, and how do you keep it from recording twice? Once direct and once echo from the caller. You would need more sound channels for each show element plus the management of each one - who gets to hear what - without interfering with all the others.
Live production demands that you be able to change the volume in real time. The capture programs create a virtual machine inside the computer and gets two more to capture both sides of the conversation, but sound management starts getting interesting. The computer naturally has two: record and playback and Skype takes both of them. NOTE This does not pick up your audio along with your friendsIf you did enj. The problem with doing this all inside one single computer is that the computer runs out of sound channels. The Video is showing all of you how to record your friends talk in skype calls.
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